Joseph’s Amazing Technicolor Dreamcoat – Part 2
So where did we leave off? Sketches were drawn (and approved), fabric, paint, and pattern have been purchased.
I figured out how to modify the pattern to accommodate the different colors of fabric. Each panel of the main body of the pattern was now divided into two. The sleeves were also resized and divided accordingly. One important thing I learned from cutting out the panels was that this fabric was unlike any other fabric I had worked with before. You see, polyester costume satin likes to shred around the edges when cut. Now if I was smarter I would have used a pair of pinking shears. But I did not. And eventually I was able to get the frays under control by going around every single edge of each cut piece of fabric with clear nail polish. This of course resulted in me being up until 4am, but I at least I didn’t have to worry about those damn threads anymore! I also realize now that I have a choice of three different overlock stitches on my awesome sewing machine. Using one of those would have saved me a lot of time and a lot less fumes.
The panels were then sent into school to the art teacher. We decided that to avoid mess or accidents, that she would tape down each panel to a table and trace the hands of the elementary students with either a chalk or lead pencil. I would then go over the drawings with the glittery fabric paint. When the panels came back to me, there were some that were not completed, and a few that weren’t done at all. So I made a template of my son’s hands and also traced mine where the spaces needed to be filled in.


Once the drawing and painting for each panel was completed, I then laid them all out to make sure that everything looked all right and then got to sewing. I should add on a side note that while I was working on this we were in the process of having one of our upstairs bathrooms remodeled. Each morning the guys would arrive and marvel at the progress I had made the day before. I was just praying that the ceiling wasn’t going to collapse over my head or that another flood would not occur above me and ruin all of my hard work!
Sewing all the panels together was pretty easy – the pattern itself was fairly simple to begin with. The devil was really in the details. As I already mentioned, the fabric itself was difficult to work with. Fray checking all of the edges was not fun, especially with all the seams in the sleeves. Finishing the coat also was a little complicated, as I did a bound seam of the gold fabric around the entire bottom, front, and neck seams. This wasn’t part of the original pattern, and it was so small that the audience probably didn’t even notice it, but it gave a nice polished finish to the garment. The front was finished off with a nice golden frog closure which allowed for a quick costume change on stage.

My husband was also a wonderful sport, as he also served as my model when I needed the piece tried on so I could see how it looked on a person. Lucky for me he was also the same height as our Joseph, so that helped when I got to work on the final hem.


At times it felt like I was working on my own personal Project Runway challenge: “Designers. You have 24 hours to make a Technicolor Dreamcoat and a small budget for this project. Make it work!” If I could change one small detail about the coat, I would have made the stripes on the sleeve shorter, but that is minor. Otherwise, I love how it turned out (as did the school). I was shocked to see that I received a standing ovation for the coat when they acknowledged me during the performance, and that my thank you took up the better part of the back page of the program. I was excited to see it on stage, and I think I got more emotional (and was more excited) at seeing the coat on stage than I was for my son’s class performance during the show.
The success of this coat then led the director of a local teen community musical theater program to call a few days later and ask me for a huge favor…






























